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• The Channelers

  Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...

• The Channelers

  Since the explosion of net art and hacker culture in the 1990s, some have celebrated Internet’s capacity for collective action, where others have criticized the increased speed of information,...

• The Channelers

  Wendy Hui Kyong Chun, media scholar and author of Programmed Visions: Software and Memory (2011) and Updating to Remain the Same: Habitual New Media[https://mitpress.mit.edu/books/updating-remain-same] (2016), has also criticized the fetishization...

• The Channelers

    *II: Pleasure in the Confusion of Boundaries and Responsibility in Their Construction*   Artists, curators, and museum/gallery teams build the walls to hide ugly computers and assign crew to the...

• Wiretapping Pakula's KLUTE

  Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....

• Private Rooms: Suite for Kapwani Kiwanga

  How can I make time out of toxins? —Lisa Robertson                   A Float   If I’m an archipelago of permeable particles then a seamount, deeply squatted, on its...

• If you tell yourself garbage is art, is it possible to be wrong?

  Film feels like an act of God, especially when you are using a half-broke camera because you are half-broke yourself. It giveth and it taketh away. Some memories...

• Maybe We Should Have Made That Doc

  Interview with Christina Choe, recorded March 7th, 2018 in Los Angeles, CA. This interview has been edited for length.  *Berkley Brady (BB): How would you summarize the journey of [Nancy] actually getting...

• Maybe We Should Have Made That Doc

  *BB: Did you write the script in terms of shots? * CC: I don’t write in terms of shots. I just can’t think about that until it’s done....

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  With the growth of the amateur film market came the rise of an international amateur cinema culture embodied in magazines, amateur movie contests, and organizations or clubs.⁴The first...