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Punning Photography’s Legacy: His dreadful glance
Two untitled works—Untitled (unravel - front) and Untitled (unravel - back)—resembling rayographs present fragments of twigs and vegetal debris. While appearing to be contact prints, they are digital ink jet prints, trifling...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: What is it that attracts you to film as a medium, and what are your own thoughts about the status of the medium in the digital age?* KR:...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: I remember you telling me something interesting about film being a physical place for you. Can you explain that? * KR: Part of what I find interesting about a...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: I’m really especially interested in this film-lab-in-a-sausage-factory thing you are doing now. Can you tell me more about it?* KR: Certainly. My partner, Nazli Dinçel, and I recently moved...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KR: At the Independent Media Arts Alliance (IMAA) Analogue Film Gathering in Calgary, you participated in a discussion on the issues of inclusion within the film community. This, of...
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Human Rights and Film at 150
*ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...
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Human Rights and Film at 150
*AC: Do any of the stories here offer a challenge or corrective to common myths about Canadian history and identity?* JP: While the stories in these films are hopeful...
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Human Rights and Film at 150
*AC: What were some of the technical challenges in developing this exhibit?* JP: The exhibition is comprised of seven intimate, circular spaces throughout the gallery, one for each film. Each...