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• Keep it loose: a short history of the Artifact Small Format Film Festival

  The rules were simple because the overall budget was determined by the cost of Super 8 film; $100 could buy you five rolls of black-and-white, four rolls of...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  The first $100FF took place in 1992 in the basement theatre of a church at 1703 1st NW—which was also the CSIF headquarters. An intimate overcapacity audience took...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  Pepper moved on to the second person that was essential to the development of the festival: Rick Doe. Doe moved to Calgary from Vancouver in 1975, and worked...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  The third person Pepper mentioned was Stephen Hanon, one of the board members that welcomed Morison’s original $100FF pitch. Hanon was a film enthusiast, and the soon-to-be editor of...

• The Channelers

    *I: False Impressions of Actualizing the Marxist Dream*   Back in 2009, Hito Steyerl’s essay, “In Defense of the Poor Image,” championed the low-resolution, degraded image. She saw the “poor...

• The Channelers

  Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...

• The Channelers

  Since the explosion of net art and hacker culture in the 1990s, some have celebrated Internet’s capacity for collective action, where others have criticized the increased speed of information,...

• The Channelers

  Wendy Hui Kyong Chun, media scholar and author of Programmed Visions: Software and Memory (2011) and Updating to Remain the Same: Habitual New Media[https://mitpress.mit.edu/books/updating-remain-same] (2016), has also criticized the fetishization...

• The Channelers

    *II: Pleasure in the Confusion of Boundaries and Responsibility in Their Construction*   Artists, curators, and museum/gallery teams build the walls to hide ugly computers and assign crew to the...

• Wiretapping Pakula's KLUTE

  Oblivious to the male voice talking about her, Bree Daniels (Jane Fonda) continues to dial on the rotary phone. The male voiceover, positioned over a contemplative and anonymous gaze...