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• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: I feel like it comes across in the film. Even the acting, everyone seems very much living in the world you created. It’s like they bought in...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...

• That Battle is Over, Girl: Alice Schoenberg

  In employing scrolling text and found footage of the Women’s March, the superwoman demonstrates the failures of this march, pointing to the consumption of activist image and failed integration...

• Intimacy and Distance: Mona Hatoum at the Western Front

  In the 1980s Hatoum created a series of videos at the Western Front that greatly informed the themes of her later artistic practice including fragmentation of skin, issues...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SHAUN CRAWFORD: According to your artist statement, "Illness is a vital meaning-making event." This is a powerful comment but notably doesn't carry any kind of value - no positive...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Your process involves immersing yourself in Canadian communities and with people experiencing illness. What Canadian communities have your collaborations taken you to and what have you taken with...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: The presence of place is very prevalent in your work. A combination of literal and representative spaces. Where do these environments come from and why are they...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  We are introduced to divorcee Melanie (Dawn Van de Schoot) and her two teenage children Madison (Hailey Foss) and Timothy (Kaeleb Zain Gartner), newly moved into Aspen Ridge and...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  There is a thread in Red Letter Day that critiques surveillance culture and violence in media, but it seems less effective to me than its commentary on Calgary...