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• A Powerful Audience

  SS: But then at the same time, you know, I was [also] on the panel for women. There was a live audience, really great conversations at CIFF this...

• A Powerful Audience

  *PB: Well, it was interesting, when I attended a festival recently I didn't even realize I was in a Women's Shorts package. I was racing right from another...

• A Powerful Audience

  ML: So first of all I think us as women should support these types of festivals, like genre festivals, and fuck what everyone else thinks. If they think...

• Without the river children cannot learn how to count

  An ache, and a type of magical realism in Queyras’s work, resonates with a series of Holga photographs by Calgary-based artist, Kaylin Obst. A couple weeks ago, my poetry instructor,...

• The Wrong Side of the Tracks

  Navigating the road to adulthood is a tumultuous and emotional experience for most, as is the case for Christine “Lady Bird” McPherson, played by two-time Oscar nominee Saoirse Ronan...

• The Wrong Side of the Tracks

  The car similarly acts as a rite of passage, and a symbol of class. The popular girl character, Jenna, drives herself to school in an enormous SUV. They...

• The Wrong Side of the Tracks

  The need to run away, to escape and be independent from others mixes with the desire for relationships, for sex, for friendship, for Lady Bird’s mother to talk...

• Creating a Baseline

  *Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...

• Creating a Baseline

  *TS: Never having written a feature before, how did you approach the writing phase? Did you just say, ‘I’m going to write a script and that will be...

• Creating a Baseline

  *TS: Was it hard to get rid of things because of the autobiographical aspect of the script?* GM: It’s a balance. The story is informed by personal experience, but...