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• Lorenza Mazzetti: Free

  Artist, novelist, puppeteer, filmmaker, and friend, Lorenza Mazzetti has spent her lifetime being creative, telling stories, being part of history and making history. Now 91, she lives in Rome...

• Lorenza Mazzetti: Free

  Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...

• Lorenza Mazzetti: Free

  In 1902, Roberto Einstein—Lorenza’s uncle—met Cesarina Mazzetti (Nina, to her family and friends.) A few years later, they married. Their own two daughters, Anna Maria and Luce, were born...

• Lorenza Mazzetti: Free

  In time, she heard that the school had a film society. She didn’t tell her professors, but she had decided to make movies. The first one, entitled K...

• Lorenza Mazzetti: Free

  She filmed Together (1956), her story of two deaf mutes, dock-workers in East London. They are friends boarding with a family that doesn’t want or like them. Every...

• Lorenza Mazzetti: Free

  The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...

• Lorenza Mazzetti: Free

  Lorenza returned to Italy, but her struggle to make film was only just beginning. The Italian industry didn’t know what to do with her, she told me. Her...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  Hiller said to Tillman, “Psi Girls deals with this sort of obsession with special powers of some human beings, in this case, of girls—now that’s a social fact.”⁴ Once a...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...