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• Blue Corridors: VOICES - Laura Anzola

  The inclusion of the humpback whale in Voices offers a blurring of human and non-human, encouraging a multi-species perspective on the violence of borders and boundaries. Micro-biomes, plants, fungi,...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* How does your film embrace lesboqueer joy, instead of the typical “bury your gays” trope that we so often see in film and TV?  *FM:* Well, I think for...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* It must have been hard to transform those images in Pakistan into the 1960s.  *FW:* Pakistan does not look the same. Karachi does not look the same. There’s just so many...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  This scene welcomes you to the Afro-Canadian (food) stock exchange, an informal market where Afro-Canadians feed their hunger for their sizzling (African) “home cooking”. Scenes such as these have...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  But I knew I could do far more for my people (I’m originally from Nigeria, West Africa) if I could weave the Afro-Canadian stories I heard around me...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The sitcom’s pilot isn’t only about fun and laughter. It explores a number of conflicts including the difficult world of gender-identity disputes in Afro-Canadian families. Obi and Adjoa are...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The pilot delicately handles the scene where Uzo-Amani’s progressively, according to their family, “bizarre”, dress sense is finally explained in a heated confrontation with her parents. She reveals her...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  These markers critically help to provide a sense of inclusion to those of us whose cultures are featured in the pilot, as well as indicate that other Afro-Canadian traditions...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  The film’s protagonist, Keity Richardson (Schelby Jean Baptiste) is forced to intern at the morgue when she cannot find a vacancy in her preferred field of surgery shortly after...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  I was struck by Keity’s features; her dominance as the central figure of the film evoked memories of Ousmane Sembène’s 1966 film Black Girl [La Noire de…].  The third...