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• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Due to these diverse mediums, you exhibit shows in a number of different contexts and gallery spaces. In Alberta alone to start 2020 you're participating in the...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Tan’s concept for the original Shirkers film is rooted in her upbringing in Singapore, a sweaty little island with a government that stressed politeness and decorum, going so far...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  Facing the AV equipment was a couch made of small, square hay bales, the type that was ubiquitous on Prairie farms into the 1970s, and for which I...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  I was struck by Keity’s features; her dominance as the central figure of the film evoked memories of Ousmane Sembène’s 1966 film Black Girl [La Noire de…].  The third...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: This might be a good opportunity to speak about your current residency at Falaise Park Field House, which continues through 2017. IRIS: The Fieldhouse residency has really allowed...

• Creating a Baseline

  *TS: You’ve never done something on this scale before. What has it been like making these kind of decisions? And how are you figuring out what you need...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  The New Gallery, who selected and exhibited the work, offered a number of accommodation options such as “the placement of a QR code in the vitrine allowing viewers...

• Human Rights and Film at 150

   *ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...

• Concrete constructs of linearity

  A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The entire foundations of their separate lives are as false as the searing image of Ennis and Alma’s trailer home, a perfect “L” shape aligned with a small...