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Punning Photography’s Legacy: His dreadful glance
This effort to make strange is heralded in the entrance to the exhibition, where the corkboards along the narrow entrance corridor have been ‘curated’ by the artist, who carefully...
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Punning Photography’s Legacy: His dreadful glance
Directly ahead of the viewer on entering the exhibition is a framed page torn from a photography manual defining and explaining the use of available light. The page...
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Punning Photography’s Legacy: His dreadful glance
Two untitled works—Untitled (unravel - front) and Untitled (unravel - back)—resembling rayographs present fragments of twigs and vegetal debris. While appearing to be contact prints, they are digital ink jet prints, trifling...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: What is it that attracts you to film as a medium, and what are your own thoughts about the status of the medium in the digital age?* KR:...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: I remember you telling me something interesting about film being a physical place for you. Can you explain that? * KR: Part of what I find interesting about a...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: I’m really especially interested in this film-lab-in-a-sausage-factory thing you are doing now. Can you tell me more about it?* KR: Certainly. My partner, Nazli Dinçel, and I recently moved...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KR: At the Independent Media Arts Alliance (IMAA) Analogue Film Gathering in Calgary, you participated in a discussion on the issues of inclusion within the film community. This, of...