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Keep it loose: a short history of the Artifact Small Format Film Festival
The third person Pepper mentioned was Stephen Hanon, one of the board members that welcomed Morison’s original $100FF pitch. Hanon was a film enthusiast, and the soon-to-be editor of...
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Keep it loose: a short history of the Artifact Small Format Film Festival
Now in its 26th year, and in the same shape-shifting adventurous spirit, $100FF has donned a new but familiar name: Artifact Small Format Film Festival. It is a...
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The Channelers
*I: False Impressions of Actualizing the Marxist Dream* Back in 2009, Hito Steyerl’s essay, “In Defense of the Poor Image,” championed the low-resolution, degraded image. She saw the “poor...
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The Channelers
Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...
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The Channelers
Since the explosion of net art and hacker culture in the 1990s, some have celebrated Internet’s capacity for collective action, where others have criticized the increased speed of information,...
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The Channelers
Wendy Hui Kyong Chun, media scholar and author of Programmed Visions: Software and Memory (2011) and Updating to Remain the Same: Habitual New Media[https://mitpress.mit.edu/books/updating-remain-same] (2016), has also criticized the fetishization...
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The Channelers
*II: Pleasure in the Confusion of Boundaries and Responsibility in Their Construction* Artists, curators, and museum/gallery teams build the walls to hide ugly computers and assign crew to the...
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Wiretapping Pakula's KLUTE
Oblivious to the male voice talking about her, Bree Daniels (Jane Fonda) continues to dial on the rotary phone. The male voiceover, positioned over a contemplative and anonymous gaze...
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Wiretapping Pakula's KLUTE
Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....
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Wiretapping Pakula's KLUTE
Midway into the film, Bree enters a nightclub. The audience watches her enter from across the dance floor. As dancers cross in front of the camera, it becomes...