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• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  Amateur films encompass many different types of genres and stylistic forms from spontaneous domestic family movies, to carefully edited travelogues and fiction films. Despite the genre’s multiformity, research in...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  The project scope focuses on North America (mainly Canada and the U.S.) and spans from the 1920s—with the introduction of the first widespread consumer amateur film format (16 mm)...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  AMDB’s research team also works with librarians, data specialists, and archivists to continuously enhance records in addition to expaning the database. Records are enhanced by adding archival film holdings...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  The W.O. Mitchell Archives at the University of Calgary hosts numerous drafts of the screenplay, extensive correspondence between Mitchell and director Claude Fournier, and even has a glossy, coil-bound...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  In October 1895, a decade later, Almighty Voice was arrested. In some accounts, the cow he slaughtered was the property of nearby settlers, in others it was government property;...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Though the Canadian prairies have provided the landscapes for a great many American Westerns, domestic Canadian Westerns are a rare breed indeed.⁵Alien Thunder is a far cry from...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Mitchell’s screenplay provided a sweeping portrait of prairie life in the 1890s, featuring a large, diverse cast of characters (early drafts included Doukhobors and Chinese migrant labourers), an early-narrative...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Fournier’s talents as a director sometimes outweigh the film’s difficulties. The closing two-minute series of wordless tableaus of different onlookers’ reactions to Almighty Voice’s death, culminating with a moving composition...

• Less Grey

• Less Grey

  *Ted Stenson (TS): What stage are you currently at in post-production?* Gillian McKercher (GM): We just picture locked! We have passed off the film to our post-sound team and...