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  • In Betweens

    “Unite Alberta.” In the wake of happenings south of the border, Jason Kenney, leading candidate for the Progressive Conservative Party of Alberta, has been inspired. Branding himself with the Alberta...

  • An object is a slow event.

    NW: Yes, I love this. As a programmer I can sometimes feel the discomfort in the room when people aren’t getting the narratives they’re expecting. But when they...

  • An object is a slow event.

    In terms of my film work, it’s hard to separate from the object. There are films that try to be completely object-free, using a macro lens or something,...

  • An object is a slow event.

    NW: But this is also an act of exercising your power over it too, right? Saying, ‘They can't exist on top of each other, but I'm going to...

  • Black box, white cube, and something in the middle

    The jewel of the film series was Sergei Parajanov’s resplendent The Color of Pomegranates (1969), selected and introduced by Atom Egoyan. Through a sequence of episodic tableaux, Parajanov composes...

  • Black box, white cube, and something in the middle

    In contrast to the isolating condition of the white cube, Egoyan took Auroras further in a modification of the installation outside Berlin’s Maxim Gorki Theater in 2015.  Here, double-sided...

  • Black box, white cube, and something in the middle

    But Steenbeckett works both with and beyond nostalgia, as Dr. Fowler and Dr. David Pike (Chair of the Department of Literature at American University, Washington, DC) argued. Set up...

  • thirstDays No.08: SO WIDE SO LOW SO HIGH

    The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

  • thirstDays No.08: SO WIDE SO LOW SO HIGH

    Karaoke transition. It’s Elton John’s Benny and the Jets, sung by Brit Bachmann. The final contributors are introduced—I’ve been watching for about an hour and a half. First-time collaborators...

  • thirstDays No.08: SO WIDE SO LOW SO HIGH

    Having covered love and intimacy, they move onto compassion, nearly getting hit by the “Settler Shame Train,” and moving into the segment titled “White Settler Girl Who Feels Really...