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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
All of these mainstream representations of trans characters fail to recognize that genitals do not necessarily equate with gender. There are certainly many trans people who actively choose to...
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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
This is not your average video mashup. Unlike more typical, easy viewing mashup compilations, the editing in A Thousand Cuts is purposefully not seamless and the supposed humour...
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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
Thompson praises Osborne’s work, “I never felt that I saw someone like me represented on screen until I saw Sense8.9A Thousand Cuts shows just how rare a truthful portrayal...
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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
The New Gallery, who selected and exhibited the work, offered a number of accommodation options such as “the placement of a QR code in the vitrine allowing viewers...
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Editor's Note
I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...
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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
Calgary’s Giant Incandescent Resonating Animation Festival (GIRAF) screened Alice on November 23, 2018. A loose adaptation of Lewis Carroll’s 1865 literary classic Alice’s Adventures in Wonderland, Svankmajer’s film shares the...
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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
Svankmajer’s film is a free adaptation, opting to rely on visual nonsense rather than the original’s verbal nonsense. Carroll’s Alice strives to get home in the end, back to...
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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
Alice shares only a few aspects with the well-known 1951 Disney film adaptation, which also mixes in some of the characters from Carroll’s 1871 sequel Through the Looking-Glass, such...
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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
The Victorian-looking kettles, large brass keys, stopwatches, archaic playing cards in the film are all objects we still use often, but versions of which that have faded into obscurity....
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Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY
Wreck City is a collective of artists and curators who organize public exhibitions in unconventional sites including pre-demolition houses, abandoned buildings, and vacant commercial spaces (https://www.wreckcity.ca/residency[https://www.wreckcity.ca/residency]). This year, the collective hosted...