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• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  There is a thread in Red Letter Day that critiques surveillance culture and violence in media, but it seems less effective to me than its commentary on Calgary...

• K. J. Aiello

  *K. J. Aiello* is a disabled writer whose previous publications have appeared in The Globe and Mail, This Magazine, Toronto Life, eTalk, The Loop and West End Phoenix. K. J.’s work tends to...

• Editor's Note

  It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The cinematic trick of using shooting locations as stand-ins for other places has been a historically popular one. Getting spectators to forget the setting ever used to be Alberta...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  In Brokeback Mountain, the setting is the third protagonist alongside Jack and Ennis. Their fleeting encounters in the Wyoming mountains transform their shared desire into love from their first...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  After another cut, they stand in front of a messy desk, not saying a word to one another. Ennis leans against a wall with hat in right hand,...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The Revenant places a similar emphasis on incapacitation, but the source of Glass’ difficulties is the active danger of the narrative environment. Gone is the deceptive calm of landscapes,...