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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.1Although the interactions are less complex...
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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...
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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
In Disembodied Beings (2019), Olafson contemplates the relationship between the corporeal and digital body by mirroring a video of a physical person with the movements of the avatar, overlaid with an audio description of...
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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...
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PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage
*GC: I think too, the choice of ending the film with collective hope rather than individual hope, can help. Especially because individual hope can be lonely, or even delusional....