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• Don’t just sit, don’t just stop

  *LUMA: Yeah, that was one of my favourite parts—how it's so conversational... There’s a Romanian and then an English voice, and they’re all speaking really poetically, and whatever they...

• A Lineage of Self: Vivek Shraya’s TRISHA

  In the third diptych in the series, Shraya’s mother is draped in a pink robe, her arms wrapped around a stuffed animal. Shraya’s recreation alters slightly, and therefore personalizes,...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...

• Forest Illuminations in the Time of COVID

  Since I arrived in Canada 18 years ago, I have slowly let this land and its own natural knowledge and mysticism slip into my soul like drip coffee....

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  With these instances, Sciamma flirts with the coincidences present in heterosynchronic texts. What are the chances that Héloïse would still own the book so many years later, that the painter would...

• Editor's Note

  Unmoored in the middle of nowhere.    John[sitetree_link,id=186] finds himself stranded in the dirt-encrusted mining town of Bundanyabba on his way to Sydney for the Christmas holidays. He meets Doc,...

• Ektoplasm-o-vision! with Guy Maddin

  ML: On a different topic, I Googled “Maddinesque” this morning... GM: Oh, I’ve never done that. ML: I got about 10 000 hits. And somebody added it to urbandictionary.com in...

• The Epic of THE IMPOSSIBLE BLUE ROSE

  Lipton is the first to tell you that, “Not knowing what will happen is the scariest thing of all.” When initially embarking on this project, Lipton had planned to migrate...

• Who Can Save the Brides of Billy?: Horror and Gender in "Black Christmas" and "The Bloody Chamber"

  The killer is in the house.  It's a classic trope that's been around since baby sitters started babysitting, since the earliest days of horror films. The underrated classic, Black...

• Black box, white cube, and something in the middle

  But Steenbeckett works both with and beyond nostalgia, as Dr. Fowler and Dr. David Pike (Chair of the Department of Literature at American University, Washington, DC) argued. Set up...