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• In Betweens

  “Unite Alberta.” In the wake of happenings south of the border, Jason Kenney, leading candidate for the Progressive Conservative Party of Alberta, has been inspired. Branding himself with the Alberta...

• Supporting Each Other in Genuine Ways Where We Are Now

  The individuals in this issue—writers, filmmakers, and artists—each take a marked interest in the people around them… using generous collaborations, absurd collages, to create spaces where uncertainty is not...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: Printed text and recorded speech play important roles in your work as positioning devices. What are the powers each brings that determine when you might use one...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...

• Paint and Popcorn

  A couple of works, such as The Great Wave (an image so iconic, it’s an Apple emoji), are explored in detail. There are a few unbelievably beautiful close-ups...

• A Powerful Audience

  *Paige Boudreau: I always feel so conflicted when people ask me "the feminism question" because it always feels so clunky—you know—‘How do you feel about us having female film...

• A Powerful Audience

  *PB: Well, it was interesting, when I attended a festival recently I didn't even realize I was in a Women's Shorts package. I was racing right from another...

• A Powerful Audience

  ML: So first of all I think us as women should support these types of festivals, like genre festivals, and fuck what everyone else thinks. If they think...

• Creating a Baseline

  *Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...