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Creating a Baseline
*TS: Was it hard to get rid of things because of the autobiographical aspect of the script?* GM: It’s a balance. The story is informed by personal experience, but...
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Creating a Baseline
*TS: You’ve never done something on this scale before. What has it been like making these kind of decisions? And how are you figuring out what you need...
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Crossing Borders
More fences flash by six years later—this time at Esker Foundation in Calgary, Alberta. Fences of different patterns, designs, and materials change and morph throughout Postcommodity’s four-channel projection, A...
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Bruce Hugh Russell
Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...
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Editor's Note: Re-Ornamentation
Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...
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Keep it loose: a short history of the Artifact Small Format Film Festival
The rules were simple because the overall budget was determined by the cost of Super 8 film; $100 could buy you five rolls of black-and-white, four rolls of...
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Keep it loose: a short history of the Artifact Small Format Film Festival
The first $100FF took place in 1992 in the basement theatre of a church at 1703 1st NW—which was also the CSIF headquarters. An intimate overcapacity audience took...
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Keep it loose: a short history of the Artifact Small Format Film Festival
Pepper moved on to the second person that was essential to the development of the festival: Rick Doe. Doe moved to Calgary from Vancouver in 1975, and worked...
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Wiretapping Pakula's KLUTE
Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....
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Wiretapping Pakula's KLUTE
Notably, Bree, not the titular Klute, is featured most prominently in the film. We see her in personal, private moments—talking to her therapist, alone in her tiny apartment, walking...