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  • Jason Edward Lewis: The Indigenous Future Imaginary

    LUMA: In Coded Territories, you talk about William Gibson, Jackson 2Bears talks a lot about Derrida, but how do you find negotiating this space between more settler, institutional methodology and your own Indigenous...

  • Handmade Portraits

    A deep but fractured connection to personal and family history is also woven through several of McIntyre’s films, as they record, refract, and obscure the past in a...

  • Editor's Note

    The things in my apartment don’t look like they are moving. Embedded to my left like a member of Stonehenge sits one of my waist-height Technics speakers[http://img.canuckaudiomart.com/uploads/large/467252-technics_speakers_sba37.jpg], a moving-out spider plant[http://tipnut.com/projectpics2/spider-plant.jpg] from my mom on...

  • Handmade Portraits

    With In the Backyarden (2015), a film featuring a little girl playing in and exploring her surroundings, McIntyre evokes the time and place of warm, childhood memories. The film is...

  • The Epic of THE IMPOSSIBLE BLUE ROSE

    Lipton is the first to tell you that, “Not knowing what will happen is the scariest thing of all.” When initially embarking on this project, Lipton had planned to migrate...

  • Unexpected Images

    It is a policy of Studio C and Prospect Human Services to refrain from giving artist’s full names in order to protect the identity of their students, as they...

  • Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

    A door that leads to the third floor of the hotel is closed with a rusty padlock. We peer through the windowpane and someone points to a piece...

  • Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

    The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...

  • Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

    Temporality and the making visible of time are notions of particular relevance to the Super 8 film system, Nicole’s primary method for documenting our time spent in Wayne. Super...

  • Sally Raab

    *Sally Raab* received a BFA in drawing from the Alberta College of Art and Design in 2010,and currently resides in Halifax, NS. She has curated a small handful of...

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