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                        Telling Women’s Stories: A Spotlight on NFB Animation
                    
                
            
            
She takes up a job as a bearded lady in a sideshow but eventually comes back to her partner. It would seem that she misses flying through the...
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                        A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
                    
                
            
            
The temporal structure takes us from the film’s present to the past of memory, or what theorist Gilles Deleuze calls “a sheet of the past.”1 The opening credits are...
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                        A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
                    
                
            
            
The film’s slowness is essential to its nuanced development of desire over time, but the queer optics of this timeliness are challenged by Rosalind Galt and Karl Schoonover’s arguments around the queer potentials...
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                        A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
                    
                
            
            
As the dynamics between the women transform from an aching desire to becoming passionate lovers, the function of the film’s slow tempo and careful gaze begin to change....
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                        A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
                    
                
            
            
It is noteworthy that during Marianne’s final days, she is haunted by prophetic, images of Héloïse in her wedding dress. Occurring right before having sex with Héloïse for the first time, and...
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                        A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
                    
                
            
            
With these instances, Sciamma flirts with the coincidences present in heterosynchronic texts. What are the chances that Héloïse would still own the book so many years later, that the painter would...
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                        A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ
                    
                
            
            
When I moved to Edmonton nine years ago, alone, I worked as a tutor -I found little pockets of home in the mother of one girl I tutored. She would bring...
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                        Mary Hunter
                    
                
            
            
*Mary Hunter* is an Associate Professor of Art History at McGill University. She specializes in nineteenth-century French art and visual culture, and teaches classes on modern and contemporary art....
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                        Editor's Note 
                    
                
            
            
Director of PACE Philomina Okeke-Ihejirika says “it is time to explore the specificities of blackness in Canada.” 9 The theme the PACE’s Black History Month 2021 is asking difficult questions, including a...
 - Forest Illuminations in the Time of COVID