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Queers and Our Counterparts
DM: Mhm. AF: —that in order to sort of validate the conversation of like a gender queer or trans body, there has to be nudity involved. NK: Hm. AF: Um… DM: Which...
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Queers and Our Counterparts
AF: Yeah, definitely. Yeah, I guess, I kind of explained my position, and sort why I’m asking these questions. Um, I come from a practice based almost entirely...
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Queers and Our Counterparts
AF: Exactly. Yep. DM: And it’s like, well no, if you keep watching—which people usually do—then that’s when the details come apart and then it’s like dissecting it as...
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Queers and Our Counterparts
AF: Mm. NK: —Films, you know, can occupy those spaces as well, but also have their own life via, you know, social media, and the internet, and also— AF: Yeah, they go into...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: In your 1994 film Technilogic Ordering, prolific images of the Persian Gulf War, refracted through the format of TV news, are manipulated using the mosaic function on...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: Since its origins, documentary film has challenged the claim to pure objectivity that goes hand-in-hand with the development of Western rational-technical culture. Experimental or hybrid documentary forms take...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: Printed text and recorded speech play important roles in your work as positioning devices. What are the powers each brings that determine when you might use one...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: You’re known as a prolific chronicler, your camera and sound kit ever-ready to make recordings that may not make their way into resolved works for some time....
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Failure, Transformation, Order: Tasman Richardson's "Janus"
A combination of his once-sidelining Atari experimentations and his now-established Jawa technique, Janus stands as a new and more unpredictable manifestation of the artist’s intent to create languages of...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
During his first three weeks, Fusi organized IKG LIVE1, an exciting two-day performance festival at the Alberta College of Art and Design welcoming the temporal works of over...