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• Concrete constructs of linearity

  Kite’s intermittent silences punctuated her memorized script with deep pitches of audio that engulfed us within a sonic ambiance. The audience shared a unanimous quietness, consciously engaged as Kite...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  During his first three weeks, Fusi organized IKG LIVE1, an exciting two-day performance festival at the Alberta College of Art and Design welcoming the temporal works of over...

• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  The siting of Nanton’s Camera Obscura is very deliberate. When asked about its placement, Lawrence responded, “While we looked at a couple of other locations around the perimeter of...

• Requiem for a Glacier: Mourning Climate Change

  To draw attention to this issue, Victoria BC composer and artist Paul Walde created Requiem for a Glacier, a forty-minute video installation and sound performance currently on view at the Montreal Museum of Fine Arts. Filmed on July 27, 2013, the...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  How do these films capture our pandemic present and how will they be understood in the future? Will we watch them years from now and get this same...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  Nisha Platzer and Malin Schmid’s Seed (2018) is an example of hand processing used in this way. The rough, mottled, hand-processed textures complement the close-up images of plants, water,...

• Bryn Evans

  *Bryn Evans** *is a journalist and arts critic based in Calgary, Alberta. He was a long-time writer and editor for the magazine Fast Forward Weekly. Once upon a time he...

• Bruce Hugh Russell

  Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...