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• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

  Bielech mirrors that sentiment. Now working as a superintendent at Husky Energy, he strives diligently to “control [his] situation,” emphasizing a sense of empowerment through his ongoing advocacy work...

• Queers and Our Counterparts

  AF: Exactly. Yep. DM: And it’s like, well no, if you keep watching—which people usually do—then that’s when the details come apart and then it’s like dissecting it as...

• FAVA TV: Bringing Media Art to the Masses

  In 2013, Scholotiuk and Cunningham found a young developer named Sam Pillar, who has since found success with the start-up, Jobber. Fresh out of school, FAVA hired him...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  For Schur, Sokolowski’s story illustrates the connections between the experiences of immigrant workers living in Western Canada just after World War I, and the growing nativist sentiment around the...

• Crossing Borders

  More fences flash by six years later—this time at Esker Foundation in Calgary, Alberta. Fences of different patterns, designs, and materials change and morph throughout Postcommodity’s four-channel projection, A...

• Editor's Note

  This issue of Luma Quarterly looks at film, video, performance, and media art grounded in a sense of discomfort. Whether it is the abject, ejaculating cactus in Matthew Rankin’s...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Shot on an early 2000s using a digital camcorder, the participatory documentary showcases the specific moment in time that our group of friends and the extended queer community were...

• By A Shift Of Distance

  Stylistically, Robert Altman is renowned for ensemble casts, resisting the bounds of any one genre and for a constantly moving camera that plays venue to evolving worlds, lengthy dialogues...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The defining moment in Meek’s Cutoff occurs when Emily Tetherow (Michelle Williams) holds a loaded gun to the group’s shifty guide to protect a character they simply call “the...