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• PORTABLE CLOSETS by Kyle Alden Martens

  Every individual/collective is welcome to participate. The rules are not set in stone, but rather in the turtlenecks. With turtlenecks the players will move forward as instructed by one...

• Supporting Each Other in Genuine Ways Where We Are Now

  The individuals in this issue—writers, filmmakers, and artists—each take a marked interest in the people around them… using generous collaborations, absurd collages, to create spaces where uncertainty is not...

• Edmonton Sound Expands

  Since Kelly Ruth moved to Edmonton from Winnipeg,³she has played several solo gigs, participated in multi-artist bills, carried out an artistic residency in Iceland, and, this summer, became the...

• Creating a Baseline

  *TS: Was it hard to get rid of things because of the autobiographical aspect of the script?* GM: It’s a balance. The story is informed by personal experience, but...

• The Wrong Side of the Tracks

  The need to run away, to escape and be independent from others mixes with the desire for relationships, for sex, for friendship, for Lady Bird’s mother to talk...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* This is your first feature as a director, what were the challenges that you faced in making the film?  It was only after the fact that I had the reflection...

• Lorenza Mazzetti: Free

  She filmed Together (1956), her story of two deaf mutes, dock-workers in East London. They are friends boarding with a family that doesn’t want or like them. Every...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Your process involves immersing yourself in Canadian communities and with people experiencing illness. What Canadian communities have your collaborations taken you to and what have you taken with...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  This scene welcomes you to the Afro-Canadian (food) stock exchange, an informal market where Afro-Canadians feed their hunger for their sizzling (African) “home cooking”. Scenes such as these have...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Though I wish we could see the original film on its own, separate from the backstory of Cardona, his imprints are everywhere in the documentary Shirkers. The two...