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  • Anj Fermor

    *Anj Fermor* is an artist and writer residing in Calgary, Alberta on Treaty 7 Territory. They have provided art work and writing for exhibitions throughout Calgary. This summer they...

  • Don’t just sit, don’t just stop

    *LUMA: How did the idea behind Bonum develop?* Sabrina Naz Comanescu: I guess the story's pretty personal to me. I was in a moment in my life where I...

  • Paint and Popcorn

    In the midst of all this engorgement—popcorn butter having created a sheen on my hands and face—I am left with the feeling of not being satiated. This feeling...

  • Editor's Note: A Scene from 16

    Hygge[sitetree_link,id=470] enter Chapters enter Starbucks bean-smells coffee-floating friendly green tinge eco-friendly person-friendly coffee-friendly green damn. A fireplace chairs that loudly screech across brown tile floor the comfort of the bathroom...

  • A Powerful Audience

    *Paige Boudreau: I always feel so conflicted when people ask me "the feminism question" because it always feels so clunky—you know—‘How do you feel about us having female film...

  • A Powerful Audience

    SS: When I was on a panel for Herland, a man approached me and said, ‘It would be great if you did this for men,’ and I said,...

  • A Powerful Audience

    *PB: Well, it was interesting, when I attended a festival recently I didn't even realize I was in a Women's Shorts package. I was racing right from another...

  • Creating a Baseline

    *Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...

  • Creating a Baseline

    *TS: What has surprised you about this process so far?* GM: Finding that people believe in my project and that people want to help me. I think there’s...

  • Crossing Borders

    The fence, the focus of A Very Long Line, is the symbol of constructed nationalism and a tool to shift transborder discourse. In an earlier related project discussing...

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