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• Beyond Social Fact in Susan Hiller's PSI GIRLS

  From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...

• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Grounds for the trial begin as Abbess Jeanne (Vanessa Redgrave), like most women in the film (and what is most strenuous on the film’s suspension of disbelief), falls for...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The rise of the female perspective in Western film with the pioneer woman trope intended to work against idealized portrayals of settlement life often found in art made...

• Uncertain Frontiers: Female Identity and Rural Spaces

  If Reichardt’s Meek’s Cutoff probes new ground for female agency, Coralie Fargeat’s 2017 film Revenge rips it apart into a female-centred redemption tale. A French film that premiered at...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The use of rape as a character motivator in the film, where the character experiences violent sexual trauma to find power can be seen as problematic, a gender...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The landscapes in Ice Blue run cool, with brown, blue, and light yellow tones, and when there is blood on screen, it’s a small trickle on the skin....

• Uncertain Frontiers: Female Identity and Rural Spaces

  Ultimately, the film tells a coming of age story that is also a rebuke of rural life, where the farm is a source of violence and repression, while...

• Editor's Note

  Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  The character of Alice (Kristýna Kohoutová) appears uncomfortable in the real world. The film is an expression of frustration at a system that forcefully tries to fit a person...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Although Moss has disavowed his religious heritage, he has not been able to deny the strong sense of kinship and pride he holds for his family and his...