Search Results

You searched for "SearchFc coins🍨🍨🍨🍨Buyfc26coins.com Use this site next time.💘💘💘💘CFRx"

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Wreck City is a collective of artists and curators who organize public exhibitions in unconventional sites including pre-demolition houses, abandoned buildings, and vacant commercial spaces (https://www.wreckcity.ca/residency[https://www.wreckcity.ca/residency]). This year, the collective hosted...

• Suzette Chan

  *Suzette Chan* is an Edmonton-based journalist who has written about the visual arts, the performing arts, and the literary arts. She is a member of the editorial collective of...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  From Arsin to Gonick, Kelly to Schur, the past 100 years of films about the Winnipeg General Strike reveal as much what we don’t know about the strike...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  The years between the Mansfield footage being taken, Mercury’s career and death, and Ryan’s M:ST performance can serve as a timeline for the different ways that queer people have...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  It’s a surprisingly slippery story for such an important moment in Canada’s labour history, but that hasn’t prevented filmmakers from taking a stab at telling the strike story over...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  At the core of Stand! is a compelling love story involving Sokolowski’s son (played by Marshall Williams) and their Jewish neighbour (played by Laura Wiggins). Here, Schur takes the...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  The inclusion of Emma’s character represents a trend in films about the Winnipeg General Strike towards representing marginalized communities who weren’t part of the original strike narrative. “Absences in...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  In contrast, Mechanomorphic Nostalgia stimulates violent sensory overload by projecting two reels of film simultaneously. This splits the viewer’s attention, forcing the viewer not only to consider the entire...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  Sandy McLennan’s The Last Skate (2018) is a nearly opposite film, but one which is no less radical. McLennan abstracts the horizontal landscapes of a frozen Canadian lake, destabilizing...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Two months later Ryan’s Nike-checked sneakers squeaked on Calgary’s Theatre Junction GRAND’s black-painted floor as they slid, twirled, and shimmied within a round pool of rosy spotlight in their...