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• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Jones has exhibited the unedited, soundless footage at numerous exhibitions across the world, including the 2008 Whitney Biennial. Rather than editing the footage, the impact of Jones’s showing the...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  This idea becomes particularly clear in two films in the series: Myriam Allard and Sarah Bronsard. The dancer in Sarah Bronsard moves across the floor using her torso as the...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  In a quiet flamenco, Terracciano seems less concerned with the character and movement of flamenco and more so with the personalities - the very personhood - of the...

• Isaac Wurmann

  *Isaac Wurmann* is a freelance journalist living and working in Winnipeg. He is a recent graduate of the journalism program at Carleton University, where he completed a double major in journalism and...

• Editor's Note

  I have been listening to and really loving an amazing eight episode podcast about gender non-binary identities called NB from the BBC.¹Gender non-binary is “an umbrella term for people...

• Fostering Women and Filmmaking: 30 Years of Herland

  Herland is an organization that seeks to bring films by and about women to a larger audience. Originally a festival, Herland is now focused on advancing women's careers...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Shraya, a trans woman of colour, has remarked that her body of work, which spans albums, books, films, and photo essays, is often informed by the oppressions she...

• Fostering Women and Filmmaking: 30 Years of Herland

  For Vanessa Wenzel, being selected for the 2019 workshop marked a milestone in itself.  She remembers, “It was the first thing I got, the [creative] world accepting me....

• Fostering Women and Filmmaking: 30 Years of Herland

  The recent mentorship screening began with Lydia Adair's Errands, a multi-threaded film that examines the intersecting lives of people who meet in line at the bank. Adair’s narrative is...