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• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  GOOD ONE, GUYS In a time when Calgarians are feeling vulnerable around the definitions of their labour and employment, the Esker sets an example for effective mainstream cultural programming...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: What is it that attracts you to film as a medium, and what are your own thoughts about the status of the medium in the digital age?* KR:...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Fay Stevens

  *Fay Stevens* is an academic, curator, artist and writer. Her archaeological work, performance and art practice is a process of excavation; an unravelling of layers of time, memory and substance....

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* How does your film embrace lesboqueer joy, instead of the typical “bury your gays” trope that we so often see in film and TV?  *FM:* Well, I think for...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CHELSEA YANG-SMITH: How many years have you been doing photography? When did you decide to start taking on freelance work and what has that process been like so...

• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  While the sounds of the marsh were ever changing, its ambient presence was consistent. For listeners dealing with the incongruity of life in lockdown while witnessing the world in...

• Concrete constructs of linearity

  Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kite’s open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einstein’s...

• FAVA TV: Bringing Media Art to the Masses

  Scholotiuk explains: “We found by doing that every video took time, and because it had to go through a person--me--to facilitate this, I became the de facto curator,...