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• Nick Johnson

  *Nick Johnson* graduated from the Illustration program of the Alberta College of Art + Design in 2013 and has been freelancing and comic book making ever since. He is...

• FAVA TV: Bringing Media Art to the Masses

  Administrative work is a necessary but often neglected engine of any arts organization. Putting resources into the office is usually an afterthought, and the tools are usually cobbled together...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip...

• Editor's Note

  For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  In 2020 NOFAC3 directed a music video for the song “Toxigenic[https://vimeo.com/391825858]” by Khillah Khills utilizing local queer talent. It’s a culmination of the artist’s aesthetic choices, using elements of...

• Concrete constructs of linearity

  On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Wreck City is a collective of artists and curators who organize public exhibitions in unconventional sites including pre-demolition houses, abandoned buildings, and vacant commercial spaces (https://www.wreckcity.ca/residency[https://www.wreckcity.ca/residency]). This year, the collective hosted...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  Fitzgerald’s understanding is that the brutality of the world around them can only justify atheism: “In that moment, he told me, he found God. And it turns out,...