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• Uncertain Frontiers: Female Identity and Rural Spaces

  If Reichardt’s Meek’s Cutoff probes new ground for female agency, Coralie Fargeat’s 2017 film Revenge rips it apart into a female-centred redemption tale. A French film that premiered at...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The use of rape as a character motivator in the film, where the character experiences violent sexual trauma to find power can be seen as problematic, a gender...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The landscapes in Ice Blue run cool, with brown, blue, and light yellow tones, and when there is blood on screen, it’s a small trickle on the skin....

• Uncertain Frontiers: Female Identity and Rural Spaces

  Ultimately, the film tells a coming of age story that is also a rebuke of rural life, where the farm is a source of violence and repression, while...

• Editor's Note

  Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Fluctuating between a re-enactment of Joseph Smith’s “Visitation”,¹scenes depicting pilgrims, missionaries and polygamists staged in the Mojave desert, and home-movie like sequences of the faithful walking to the temple in...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  The character of Alice (Kristýna Kohoutová) appears uncomfortable in the real world. The film is an expression of frustration at a system that forcefully tries to fit a person...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Much of the imagery in the film, the landscapes, people, and audio recordings were the result of Moss’ travels and discoveries with Leigh Moss, who left the LDS...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Although Moss has disavowed his religious heritage, he has not been able to deny the strong sense of kinship and pride he holds for his family and his...