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• Forest Illuminations in the Time of COVID

  This article was written and produced in a couple of locations: Alberta and British Columbia. As guests in these lands. Rocio Graham and the staff at Luma would like to...

• FAVA TV: Bringing Media Art to the Masses

  With that boost, they started building the app one partner at a time. Soon, other arts organizations, the Edmonton Folk Music Festival, Shumka dance, and other media arts...

• Requiem for a Glacier: Mourning Climate Change

  The video installation moves back and forth between whole and split screens, an effective way of showing the terrain as the viewer gets to see the site and...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  This scene welcomes you to the Afro-Canadian (food) stock exchange, an informal market where Afro-Canadians feed their hunger for their sizzling (African) “home cooking”. Scenes such as these have...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: I’m really especially interested in this film-lab-in-a-sausage-factory thing you are doing now. Can you tell me more about it?* KR: Certainly. My partner, Nazli Dinçel, and I recently moved...

• Paint and Popcorn

  A couple of works, such as The Great Wave (an image so iconic, it’s an Apple emoji), are explored in detail. There are a few unbelievably beautiful close-ups...

• FAVA TV: Bringing Media Art to the Masses

  “We used to laugh at him. We called it Space Station Andy, it sounded so outrageous! He had a lot of good ideas, but the scope of it...

• Paint and Popcorn

  Michelangelo: Love and Death, a brisk 90-minute film by Exhibition on Screen promising to be “sensual and provocative,” features slow pans across the ceiling of The Sistine Chapel and...

• Riva Symko

  *Riva Symko* is currently the Writer-in-Residence at Latitude 53 Contemporary Visual Art. She has previously published critical writing on art with the University of Lethbridge Art Gallery, Modern Fuel...