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• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  a quiet flamenco offers the audience an opportunity to reacquaint themselves with flamenco by presenting a different relationship between sound and dance. While flamenco is traditionally a cacophonous dance,...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  George Melnyk interviews Ezban about Parallel (2018) and how working in Western Canada has impacted his career and his vision as a filmmaker. *GEORGE MELNYK: This is your first English-language film made...

• Editor's Note

  I have been listening to and really loving an amazing eight episode podcast about gender non-binary identities called NB from the BBC.¹Gender non-binary is “an umbrella term for people...

• How Real Do You Want Me To Be?: Kate Craig’s DELICATE ISSUE

  The soundtrack contains heavy breathing accompanied by the sound of a heartbeat. At times the heartbeat and breathing become slightly muffled by the microphone. In the initial shots of...

• Fostering Women and Filmmaking: 30 Years of Herland

  Herland is an organization that seeks to bring films by and about women to a larger audience. Originally a festival, Herland is now focused on advancing women's careers...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...

• A Lineage of Self: Vivek Shraya’s TRISHA

  In the third diptych in the series, Shraya’s mother is draped in a pink robe, her arms wrapped around a stuffed animal. Shraya’s recreation alters slightly, and therefore personalizes,...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Trisha is an interesting space in this regard, given that Shraya enacts and cultivates subjectivity in complex ways. There are two immediate and visible subjects of Trisha: Shraya’s mother...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Shraya discusses how the photos she is recreating are mediated: “I suspect that many of the vintage photos of my mom are the ones that my dad took,”...

• Fostering Women and Filmmaking: 30 Years of Herland

  For Vanessa Wenzel, being selected for the 2019 workshop marked a milestone in itself.  She remembers, “It was the first thing I got, the [creative] world accepting me....