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                        A Failed Poet
                    
                
            
            
Frampton had a fraught relationship with the parts of the world that wanted him to be the person he was in the photograph in (nostalgia): the bookish, buttoned-down “leering”...
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                        Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
                    
                
            
            
Regardless of the dynamics between her friends and Cardona, she was determined to do whatever she needed to get her film made. Talking about the production, Tan equates...
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                        Failure, Transformation, Order: Tasman Richardson's "Janus"
                    
                
            
            
"The pendulum swings from realism to abstraction in history, and in my own continuum, it's the same," Richardson reflects on the trajectory of his work. By subjecting Atari...
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                        Uncertain Frontiers: Female Identity and Rural Spaces
                    
                
            
            
The use of rape as a character motivator in the film, where the character experiences violent sexual trauma to find power can be seen as problematic, a gender...
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                        The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
                    
                
            
            
The siting of Nanton’s Camera Obscura is very deliberate. When asked about its placement, Lawrence responded, “While we looked at a couple of other locations around the perimeter of...
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                        Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
                    
                
            
            
In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...
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                        Time Record: A Memoir of Teenage Cinephilia by VCR
                    
                
            
            
My viewing choices were shaped by a number of tastemakers. I surrounded myself by a set of books, some of which I owned (mostly scrounged from used bookstores),...
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                        Editor's Note: Cool Mud
                    
                
            
            
When I think of this image of my mom, I can feel her power. It was like some sort of magic, powers. With nothing but land in sight,...
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                        SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
                    
                
            
            
Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...
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                        As the Mind Tracks Shape... As the Mind Recalls Sound...
                    
                
            
            
JN: Since its origins, documentary film has challenged the claim to pure objectivity that goes hand-in-hand with the development of Western rational-technical culture. Experimental or hybrid documentary forms take...