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• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip...

• Naked and Alone at The Threshold Between Two Worlds

  I think back to a few months ago when the exhibition curator, Christina Cuthbertson, mentioned the Southern Alberta Art Gallery’s aspirations to host nude viewings of this work. I...

• Lorenza Mazzetti: Free

  Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...

• Kevin Rice

  *Kevin Rice* has been working with film since 2007. His practice is predominately based in the darkroom where he researches all aspects of photochemistry and performs in depth experiments on...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The sitcom’s pilot isn’t only about fun and laughter. It explores a number of conflicts including the difficult world of gender-identity disputes in Afro-Canadian families. Obi and Adjoa are...

• A Failed Poet

  He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...

• Requiem for a Glacier: Mourning Climate Change

  The installation of Requiem for a Glacier at the Montreal Museum of Fine Arts is particularly effective. The twenty-two-foot-long screen takes up the entire wall of the gallery, reflecting the monumentality of the site. As...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...