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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: Since its origins, documentary film has challenged the claim to pure objectivity that goes hand-in-hand with the development of Western rational-technical culture. Experimental or hybrid documentary forms take...
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Requiem for a Glacier: Mourning Climate Change
One critique I have is of the inclusion of a black box which appears twice in the piece. During one section, the box begins in the centre of the screen, as seen in the above still, and...
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Edmonton Sound Travels
Raylene Campbell “The year is 1974, and it’s just after dinnertime in Sherwood Park, Alberta.”13Raylene Campbell is setting the scene for her musical origin story during an AMAAS after-party in...
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Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell
Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...
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Intimacy and Distance: Mona Hatoum at the Western Front
In Hatoum’s video Variations on Discord and Divisions, created at the Western Front in 1984, the boundary between the inside of the body and the outside is breached....
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The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke
In addition to having a young black female lead in their respective films, Cooke and Sembène successfully “memorialize the everyday” by disregarding the white gaze. The distinction between the...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary...
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A Failed Poet
He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...