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thirstDays No.08: SO WIDE SO LOW SO HIGH
The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...
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Queers and Our Counterparts
AF: Yeah, definitely. Yeah, I guess, I kind of explained my position, and sort why I’m asking these questions. Um, I come from a practice based almost entirely...
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Failure, Transformation, Order: Tasman Richardson's "Janus"
Straddling the left and right brain, Richardson’s dual-channel video installation, launched February 2nd at EMMEDIA’s PARTICLE + WAVE Media Arts Festival[http://emmedia.ca/2017/01/particle-wave-feature-night/], is an astute interrogation of video-as-medium and, I wager, an abstract gesture...
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Failure, Transformation, Order: Tasman Richardson's "Janus"
"The pendulum swings from realism to abstraction in history, and in my own continuum, it's the same," Richardson reflects on the trajectory of his work. By subjecting Atari...
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Failure, Transformation, Order: Tasman Richardson's "Janus"
A combination of his once-sidelining Atari experimentations and his now-established Jawa technique, Janus stands as a new and more unpredictable manifestation of the artist’s intent to create languages of...
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Human Rights and Film at 150
*ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...
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Human Rights and Film at 150
*AC: Do any of the stories here offer a challenge or corrective to common myths about Canadian history and identity?* JP: While the stories in these films are hopeful...
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Anj Fermor
*Anj Fermor* is an artist and writer residing in Calgary, Alberta on Treaty 7 Territory. They have provided art work and writing for exhibitions throughout Calgary. This summer they...
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A Powerful Audience
*PB: Well, it was interesting, when I attended a festival recently I didn't even realize I was in a Women's Shorts package. I was racing right from another...
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Creating a Baseline
*Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...