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About
Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical...
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Ektoplasm-o-vision! with Guy Maddin
Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...
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Ektoplasm-o-vision! with Guy Maddin
ML: Do you imagine “ectoplasmovision” as one long word, or with hyphens? GM: I sort of deleted it from my memory after attempting to coin the term. It seems...
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Reclaiming the North
Gould’s interview subjects are, like himself, southerners who have, for some reason or another, temporarily journeyed to the North. The thread of thought that unifies these characters is a...
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By A Shift Of Distance
3 Women demonstrates how Altman's creative development has arrived at an apt capability to eloquently explore more complex and stranger aspects of human nature by 1977. McCabe & Mrs....
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Jason Edward Lewis: The Indigenous Future Imaginary
LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...
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Handmade Portraits
This is Lindsay McIntyre’s response to the “death” of the medium in the digital age. Hailing from Edmonton, McIntyre has been selected as the Visiting Artist for the 24th...
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Editor's Note
The things in my apartment don’t look like they are moving. Embedded to my left like a member of Stonehenge sits one of my waist-height Technics speakers[http://img.canuckaudiomart.com/uploads/large/467252-technics_speakers_sba37.jpg], a moving-out spider plant[http://tipnut.com/projectpics2/spider-plant.jpg] from my mom on...
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Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR
The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...