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• The Language of Trees

         The Heritage Tree                         I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...

• Without the river children cannot learn how to count

  An ache, and a type of magical realism in Queyras’s work, resonates with a series of Holga photographs by Calgary-based artist, Kaylin Obst. A couple weeks ago, my poetry instructor,...

• Private Rooms: Suite for Kapwani Kiwanga

  How can I make time out of toxins? —Lisa Robertson                   A Float   If I’m an archipelago of permeable particles then a seamount, deeply squatted, on its...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  With the growth of the amateur film market came the rise of an international amateur cinema culture embodied in magazines, amateur movie contests, and organizations or clubs.⁴The first...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  The project scope focuses on North America (mainly Canada and the U.S.) and spans from the 1920s—with the introduction of the first widespread consumer amateur film format (16 mm)...

• Less Grey

  *TS: What are the challenges in trying to shape a narrative at a feature length vs. something shorter, like a short film or music video? Do you feel like...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...

• Editor's Note

  Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Fluctuating between a re-enactment of Joseph Smith’s “Visitation”,¹scenes depicting pilgrims, missionaries and polygamists staged in the Mojave desert, and home-movie like sequences of the faithful walking to the temple in...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...