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Lorenza Mazzetti: Free
The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
The siting of Nanton’s Camera Obscura is very deliberate. When asked about its placement, Lawrence responded, “While we looked at a couple of other locations around the perimeter of...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...
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SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: Since its origins, documentary film has challenged the claim to pure objectivity that goes hand-in-hand with the development of Western rational-technical culture. Experimental or hybrid documentary forms take...
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Edmonton Sound Travels
Raylene Campbell “The year is 1974, and it’s just after dinnertime in Sherwood Park, Alberta.”13Raylene Campbell is setting the scene for her musical origin story during an AMAAS after-party in...
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Human Rights and Film at 150
*AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...
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Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell
Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...
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Intimacy and Distance: Mona Hatoum at the Western Front
In Hatoum’s video Variations on Discord and Divisions, created at the Western Front in 1984, the boundary between the inside of the body and the outside is breached....