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• Felicia Glatz

  Felicia Glatz holds a degree from the University of Calgary in Film Studies and is a proud and enthusiastic member of Calgary’s eclectic film community. As a writer...

• Movement as Activism

  Ties made through social media however—groups on Facebook, Twitter hashtags, Instagram private messages—are low-risk, with a low level of accountability. While they succeed in exposing a User to new...

• The 10th Alberta Biennial

  The video starts in a dark cave draped with a host of stalactites, shrouded in soft synth sound. Absurd and whimsical forms emerge from the transmuting landscape of Devon Beggs's Echo's...

• The 10th Alberta Biennial

  Delightfully, it asks me to swipe right if “It frustrates me to not understand how something works.” And I am frustrated by the unclear ways that my answers...

• The 10th Alberta Biennial

  But what is it to act all this out, as if we didn’t know? More compelling are the pleasures of the quiz itself: awkward self-reflection in public, a...

• The 10th Alberta Biennial

  Vignettes of everyday detritus flash across the screen: objects fall to the ground, balloons pop, garbage lays scattered or is employed as an instrument for sound-making. Stacey Watson and...

• Anj Fermor

  *Anj Fermor* is an artist and writer residing in Calgary, Alberta on Treaty 7 Territory. They have provided art work and writing for exhibitions throughout Calgary. This summer they...

• Performing objects, readymade bodies

  Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...

• St. Martins, New Brunswick

  My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...

• Performing objects, readymade bodies

  Liddington’s they danced with the understanding that this was for them, eventually it was at the SAAG situates itself within this tradition of quotidian performance on film, movement as readymade....