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• A Failed Poet

  Frampton had a fraught relationship with the parts of the world that wanted him to be the person he was in the photograph in (nostalgia): the bookish, buttoned-down “leering”...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  Both films are about the inherent tensions of difference and diversity, between truth and lies – a natural fit for works that pass Western Canada as elsewhere in...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: This might be a good opportunity to speak about your current residency at Falaise Park Field House, which continues through 2017. IRIS: The Fieldhouse residency has really allowed...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CHELSEA YANG-SMITH: How many years have you been doing photography? When did you decide to start taking on freelance work and what has that process been like so...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  I think about this idea a lot. I’m Pakistani by heritage, born and raised on stolen land. I live in Alberta, knowing that Whiteness has claimed this land as...

• Editor's Note

  When I was a kid I absolutely adored the Wonder Woman TV series. To me, she was an aspirational, kick ass, female warrior. She made me believe that...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: In Coded Territories, you talk about William Gibson, Jackson 2Bears talks a lot about Derrida, but how do you find negotiating this space between more settler, institutional methodology and your own Indigenous...

• Editor's Note: Cool Mud

  When I think of this image of my mom, I can feel her power. It was like some sort of magic, powers. With nothing but land in sight,...