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  • On Collectives, Projects, Film Itself, and a Sausage Factory

    *LM: I remember you telling me something interesting about film being a physical place for you. Can you explain that? * KR: Part of what I find interesting about a...

  • On Collectives, Projects, Film Itself, and a Sausage Factory

    *KR: At the Independent Media Arts Alliance (IMAA) Analogue Film Gathering in Calgary, you participated in a discussion on the issues of inclusion within the film community. This, of...

  • On Collectives, Projects, Film Itself, and a Sausage Factory

    *KR: And, of course, there is no singular answer to the problem of inclusion in our community, but what would you say is the best step that organizations—including film collectives...

  • Human Rights and Film at 150

    *AC: Do any of the stories here offer a challenge or corrective to common myths about Canadian history and identity?* JP: While the stories in these films are hopeful...

  • Human Rights and Film at 150

    *AC: Most museums focus on artifacts and material culture, whereas the CMHR tends to focus more on personal experience and storytelling. How do you see the potential of...

  • Human Rights and Film at 150

    *AC: What were some of the technical challenges in developing this exhibit?* JP: The exhibition is comprised of seven intimate, circular spaces throughout the gallery, one for each film. Each...

  • The Language of Trees

           The Heritage Tree                         I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...

  • Nancy Webb

    *Nancy Webb* is a Montreal-based writer and comedian. She is the founding editor-in-chief of Spiffy Moves[http://www.spiffymoves.com/].

  • Stephen Broomer

    *Stephen Broomer* is a filmmaker and film preservationist based in Toronto. He holds a BFA in Film and Video Production, an MA in Film Studies, and a PhD in Communication...

  • Kevin Rice

    *Kevin Rice* has been working with film since 2007. His practice is predominately based in the darkroom where he researches all aspects of photochemistry and performs in depth experiments on...

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