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Felicia Glatz
Felicia Glatz holds a degree from the University of Calgary in Film Studies and is a proud and enthusiastic member of Calgary’s eclectic film community. As a writer...
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Movement as Activism
Ties made through social media however—groups on Facebook, Twitter hashtags, Instagram private messages—are low-risk, with a low level of accountability. While they succeed in exposing a User to new...
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The 10th Alberta Biennial
The video starts in a dark cave draped with a host of stalactites, shrouded in soft synth sound. Absurd and whimsical forms emerge from the transmuting landscape of Devon Beggs's Echo's...
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The 10th Alberta Biennial
Delightfully, it asks me to swipe right if “It frustrates me to not understand how something works.” And I am frustrated by the unclear ways that my answers...
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The 10th Alberta Biennial
But what is it to act all this out, as if we didn’t know? More compelling are the pleasures of the quiz itself: awkward self-reflection in public, a...
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The 10th Alberta Biennial
Vignettes of everyday detritus flash across the screen: objects fall to the ground, balloons pop, garbage lays scattered or is employed as an instrument for sound-making. Stacey Watson and...
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Anj Fermor
*Anj Fermor* is an artist and writer residing in Calgary, Alberta on Treaty 7 Territory. They have provided art work and writing for exhibitions throughout Calgary. This summer they...
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St. Martins, New Brunswick
I bought my travel wardrobe at the Nanton Salvation Army, so the black skirts and sheer blouses are threadbare, the scarves patterned with lassoes and smelling of camphor. Wrapping...
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St. Martins, New Brunswick
My boots draw pools of water that suck themselves flat. Folded on rose-bordered stationary, a letter sticks under the band of my bralette (that’s what the saleswoman called it)....
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Performing objects, readymade bodies
Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...