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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
What these audiences, our audiences, want from performing arts are art experiences. They can get their art objects elsewhere, and frankly, they can get better art objects by better...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...
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Teresa Tam
*Teresa Tam* is an artist from and based in Calgary, Canada. Her practice utilizes spaces and experiences that are familiar and then alters them into something a bit...
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Sue-Shane Tsomondo
*Sue-Shane Tsomondo* is an artist, arts administrator, and occasional writer based in Mohkinstsis (also known as Calgary). Born and raised in Zimbabwe, she is interested in the stories that...
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THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza
*KH:* This is your first feature as a director, what were the challenges that you faced in making the film? It was only after the fact that I had the reflection...
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THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza
*KH:* The casting of Amrit Kaur from the TV series Sex Lives of College Girls as Azra, the protagonist, was perfect. How did she become involved? *FW:* We worked...
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Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau
*TT:* For you, what are some challenges you've had over the years, especially as someone who's an Asian woman? What are some things you wish you had known...
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Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau
*Vicki Van Chau (VVC):* I'm a media artist and cultural worker here in Calgary, Alberta. I went to the Alberta College of Art and Design, now the AUArts,...
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Editor's Note
I am grateful to be given the opportunity by EMMEDIA and CSIF to edit this 25th publication milestone. Thanks also to the editorial committee for this issue: Suzette Chan, Katie...