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• Steffanie Ling

  *Steffanie Ling* is a producer of criticism, pamphlets, stories, essays, exhibitions, reviews, bluntness, anecdotes, shout outs, wrestling storylines, proposals, applications, jokes, readings, minimal poems, poems, dinner, compliments, and diatribes. She...

• Editor's Note: Cool Mud

  When I think of this image of my mom, I can feel her power. It was like some sort of magic, powers. With nothing but land in sight,...

• Lorenza Mazzetti: Free

  In time, she heard that the school had a film society. She didn’t tell her professors, but she had decided to make movies. The first one, entitled K...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The rise of the female perspective in Western film with the pioneer woman trope intended to work against idealized portrayals of settlement life often found in art made...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The defining moment in Meek’s Cutoff occurs when Emily Tetherow (Michelle Williams) holds a loaded gun to the group’s shifty guide to protect a character they simply call “the...

• Uncertain Frontiers: Female Identity and Rural Spaces

  If Reichardt’s Meek’s Cutoff probes new ground for female agency, Coralie Fargeat’s 2017 film Revenge rips it apart into a female-centred redemption tale. A French film that premiered at...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The use of rape as a character motivator in the film, where the character experiences violent sexual trauma to find power can be seen as problematic, a gender...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The landscapes in Ice Blue run cool, with brown, blue, and light yellow tones, and when there is blood on screen, it’s a small trickle on the skin....