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• Beyond Social Fact in Susan Hiller's PSI GIRLS

  Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  Hiller said to Tillman, “Psi Girls deals with this sort of obsession with special powers of some human beings, in this case, of girls—now that’s a social fact.”⁴ Once a...

• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Grounds for the trial begin as Abbess Jeanne (Vanessa Redgrave), like most women in the film (and what is most strenuous on the film’s suspension of disbelief), falls for...

• Editor's Note

  Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  The years between the Mansfield footage being taken, Mercury’s career and death, and Ryan’s M:ST performance can serve as a timeline for the different ways that queer people have...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...

• Time Record: A Memoir of Teenage Cinephilia by VCR

  My viewing choices were shaped by a number of tastemakers. I surrounded myself by a set of books, some of which I owned (mostly scrounged from used bookstores),...

• Fostering Women and Filmmaking: 30 Years of Herland

  The recent mentorship screening began with Lydia Adair's Errands, a multi-threaded film that examines the intersecting lives of people who meet in line at the bank. Adair’s narrative is...

• Kelaine Devine

  *Kelaine Devine* is a techno-crafty artist, designer and creative educator. She merges fibre, drawing, video and media arts into hybrid forms with a long history of working with emerging technologies...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  The exploration of what happened that summer, when Tan and her friends decided to make a movie, is a messy dive twenty years into the past. The documentary...