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• The Wrong Side of the Tracks

  It is 2002 in Sacramento, California, and Christine is in her last year of Catholic high school. Having unofficially re-named herself Lady Bird, she is a conventionally awkward, emotional,...

• The Wrong Side of the Tracks

  The need to run away, to escape and be independent from others mixes with the desire for relationships, for sex, for friendship, for Lady Bird’s mother to talk...

• Creating a Baseline

  *Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...

• Creating a Baseline

  *TS: Was it hard to get rid of things because of the autobiographical aspect of the script?* GM: It’s a balance. The story is informed by personal experience, but...

• Creating a Baseline

  *TS: You’ve never done something on this scale before. What has it been like making these kind of decisions? And how are you figuring out what you need...

• Creating a Baseline

  *TS: What has surprised you about this process so far?* GM: Finding that people believe in my project and that people want to help me. I think there’s...

• Crossing Borders

  The fence, the focus of A Very Long Line, is the symbol of constructed nationalism and a tool to shift transborder discourse. In an earlier related project discussing...

• Tyler J Stewart

  *Tyler J Stewart* is an independent writer, curator and musician based in Lethbridge, Alberta. With a BFA (Art History/Museum Studies) from the University of Lethbridge, his interests centre around...

• Jem Noble

  *Jem Noble* (UK, 1974) lives and works in Vancouver (unceded Coast Salish territories). He repurposes media artifacts, stages gestures, screenings and performances, makes installations, publications and broadcasts, often working collaboratively....

• Editor's Note: Re-Ornamentation

  Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...