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thirstDays No.08: SO WIDE SO LOW SO HIGH
Having covered love and intimacy, they move onto compassion, nearly getting hit by the “Settler Shame Train,” and moving into the segment titled “White Settler Girl Who Feels Really...
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Queers and Our Counterparts
This interview was held on January 5th, 2017 in Calgary, Alberta, and has been edited for length. ANGELA FERMOR: So my name’s Angela Fermor, I’m an emerging artist...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary...
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Queers and Our Counterparts
AF: Exactly. Yep. DM: And it’s like, well no, if you keep watching—which people usually do—then that’s when the details come apart and then it’s like dissecting it as...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: In your 1994 film Technilogic Ordering, prolific images of the Persian Gulf War, refracted through the format of TV news, are manipulated using the mosaic function on...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: Since its origins, documentary film has challenged the claim to pure objectivity that goes hand-in-hand with the development of Western rational-technical culture. Experimental or hybrid documentary forms take...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: Printed text and recorded speech play important roles in your work as positioning devices. What are the powers each brings that determine when you might use one...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
JN: You’re known as a prolific chronicler, your camera and sound kit ever-ready to make recordings that may not make their way into resolved works for some time....
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Failure, Transformation, Order: Tasman Richardson's "Janus"
Straddling the left and right brain, Richardson’s dual-channel video installation, launched February 2nd at EMMEDIA’s PARTICLE + WAVE Media Arts Festival[http://emmedia.ca/2017/01/particle-wave-feature-night/], is an astute interrogation of video-as-medium and, I wager, an abstract gesture...
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Failure, Transformation, Order: Tasman Richardson's "Janus"
"The pendulum swings from realism to abstraction in history, and in my own continuum, it's the same," Richardson reflects on the trajectory of his work. By subjecting Atari...