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• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  In Eveline Kolijn’s The Ocean Inside (2019) images of plastic littered along the shore and the pallid remains of a devastated coral reef languish behind a quivering large-scale printed...

• Paint and Popcorn

  In the midst of all this engorgement—popcorn butter having created a sheen on my hands and face—I am left with the feeling of not being satiated. This feeling...

• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

  The 2019 documentary Digging in the Dirt, co-directed by Dylan Rhys Howard and Omar Mouallem, is an exploration of the mental health crisis in the lives of Albertan...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Skullduggery has elements of a slasher film and of a demonic possession film but regularly swerves into other genres with little warning. It even becomes a teen comedy...

• Human Rights and Film at 150

  *AC: Most museums focus on artifacts and material culture, whereas the CMHR tends to focus more on personal experience and storytelling. How do you see the potential of...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  Thompson praises Osborne’s work, “I never felt that I saw someone like me represented on screen until I saw Sense8.⁹A Thousand Cuts shows just how rare a truthful portrayal...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...

• Requiem for a Glacier: Mourning Climate Change

  The video installation moves back and forth between whole and split screens, an effective way of showing the terrain as the viewer gets to see the site and...